The first history of Frank Lloyd Wright's exhibitions of his own work--a practice central to his career More than one hundred exhibitions of Frank Lloyd Wright's work were mounted between 1894 and his death in 1959. Wright organized the majority of these exhibitions himself and viewed them as crucial to his self-presentation as his extensive writings. He used them to promote his designs, appeal to new viewers, and persuade his detractors. Wright on Exhibit presents the first history of this neglected aspect of the architect's influential career. Drawing extensively from Wright's unpublished correspondence, Kathryn Smith challenges the preconceived notion of Wright as a self-promoter who displayed his work in search of money, clients, and fame. She shows how he was an artist-architect projecting an avant-garde program, an innovator who expanded the palette of installation design as technology evolved, and a social activist driven to revolutionize society through design. While Wright's earliest exhibitions were largely for other architects, by the 1930s he was creating public installations intended to inspire debate and change public perceptions about architecture. The nature of his exhibitions expanded with the times beyond models, drawings, and photographs to include more immersive tools such as slides, film, and even a full-scale structure built especially for his 1953 retrospective at the Guggenheim Museum. Placing Wright's exhibitions side by side with his writings, Smith shows how integral these exhibitions were to his vision and sheds light on the broader discourse concerning architecture and modernism during the first half of the twentieth century. Wright on Exhibit features color renderings, photos, and plans, as well as a checklist of exhibitions and an illustrated catalog of extant and lost models made under Wright's supervision.

A timely exploration of the allusive, sculptural fiber work of an important contemporary South African artist The book presents an early career survey of the work of Cape Town-based artist Igshaan Adams (b. 1982), showcasing his multimedia practice since 2009. In addition to exploring recurring motifs in his work-Arabic calligraphy, the rose, the (self-)portrait, Sufi symbols, and pathways literal and metaphorical-the publication highlights some of Adams's material concerns, including his sculptural applications of weaving, his embrace of recycled materials related to black South African domesticity and interiority, and his use of the gallery wall and floor in installations. Hendrik Folkerts surveys the artist's recent work, addressing its engagement with presence, absence, and the trace.. Adams himself offers a visual essay enabling readers to see details they would be imperceptible in a gallery setting. In shorter essays and poetic texts, the other authors focus on the South African historical and political context, specific artworks, and particular creative strategies, materialities, and narratives. Distributed for the Art Institute of Chicago Exhibition Schedule: Art Institute of Chicago (April 2-August 1, 2022)

A 2022 Washington State Book Award finalist Environmental collapse. The betrayals and alliances of the animal world. A father who works in a timber mill. The celebrities in our feeds, the stories we tell ourselves. Loss, never-ending loss. Self-Portrait with Cephalopod-selected by francine j. harris as winner of the Jake Adam York Prize-is an account of being a girl, and then a woman, in the world; of being a living creature on a doomed planet; of being someone who aspires to do better but is torn between attention and distraction. Here, Kathryn Smith offers observations and anxieties, prophecies and prayers, darkness and light-but never false hope. Instead, she incises our vanities and our hypocrisies, "the bloody hand holding back / the skin," revealing "the world's inner workings, / rubbery and caught between the teeth." These are the poems of someone who feels her and our failings in the viscera, in the bones, and who bears witness to that pain on the page. Self-Portrait with Cephalopod is an urgent and necessary collection about living in this precarious moment, meditative and resolutely unsentimental.

A lady must always guard her heart...when tempting a rogue.

In the glittering ballroom of London's most exclusive gentleman'sclub no one is more powerful than its mysterious proprietress, Vienne La Rieux. A shrewd businesswoman, Vienne treasures herhard-won independence and has her eye on a prize that couldmake her England's richest woman . . . until the only threatto her heart arrives, sending her controlled world into chaos.

Lord Trystan Kane is as familiar with success as he is withthe exquisite Vienne. She's the lover he's never forgotten, and so, when an opportunity arises that would make them partnersonce again, he takes it. But Trystan has underestimated theenduring power of the chemistry that originallysparked their passion. And with an enemywatching from the shadows, any attemptto mix business with pleasure couldhave disastrous consequences.

Temple is the leader of the Brotherhood of the Blood. He's appointed himself protector of the Blood Grail, the cup that turned him and his brethren into vampires. Now the Order of the Silver Palm is after the Grail, and Temple. Vivian has been an outsider all her life, until the Order took her in. They transformed her from a poor farm girl to a woman who is as comfortable with a blade as well as a tea cup. Now she is their assassin, and they've sent her after Temple. Neither could have imagined the attraction to one another. They were on different sides, fighting for different things, and yet, they are drawn to each other. Has the assassin fallen in love with her target? Does her target have an ulterior motive? Or was their love destined to be?

It's bad enough when you have to deal with ugly dresses, drunken wedding parties, and embarassing relatives. But what happens when your wedding really is from hell? From Maggie Shayne, the story of a curse of the McLellan brides, and the one woman who decides to break the spell. Haunted by the ghosts of her ancestors, Casey McLellan must find the absolute right man to marry - or face certain death.Jeaniene Frost's Bones is a little too busy to hunt down a criminal mastermind and rescue a damsel in distress. So he sends his friend Chance to do the job. What was supposed to be routine turns out to be anything but once Chance lays eyes on the crime lord's (reluctant) fiancee.Terri Garey's Nicki Styx has gotten pretty used to the ghosts that are now a part of her life. But a ghost...at a wedding? When unexplained events disrupt a ceremony, it's up to Nicki to convince the ghost to take a back seat.Violet Wynston-Jones is getting married - or she was, until vampire Payen Carr hears about the ceremony...and finds out the true nature of her groom-to-be. Now, with her former lover on the scene and an evil society set against them, Violet and Payen join forces in Kathryn Smith's "The Wedding Knight."

Bishop has been a vampire for 700 years and though he wishes nothing more than to live his life in peace, getting humans to believe that vampires are not monsters is a difficult task, and vampire hunters like The Reaper make it even more difficult. Believing that a vampire killed her mother, Irina leads a band of vigilantes, determined to rid the world of these monsters. What no one knows is that Irina herself is half-vampire. Determined to deny that side of her, Irina captures Bishop, believing he can lead her to the vampire responsible for her mother's death. But over the course of Bishop's captivity, secrets about Irina's past are revealed and she soon learns that what she has always believed to be true is anything but. Now Irina and Bishop are in a race against time as they fight for their lives--and their love.

Frank Lloyd Wright presents a stunning overview of the work of this towering American genius, encompassing the entirety of Wright's long and extraordinarily prolific career. From his earliest work, such as the Home and Studio in Oak Park, IL, of 1889, to the wonderfully evocative textile block houses of Los Angeles of the mid-1920s, to such seminal masterpieces as Fallingwater, of 1935, in the Pennsylvania wilderness, and the Solomon R. Guggenheim Museum, of 1956, in New York, the book offers an extraordinarily abundant trove of architectural riches. Featuring more than a hundred discrete works, from the well known to the obscure, expertly discussed in the text of highly respected Wright scholar Kathryn Smith, Frank Lloyd Wright weaves a gorgeous tapestry that will engage the mind and delight the eye.

Frank Lloyd Wright (1867-1959) is unquestionably America's most celebrated architect. Even today, almost forty years after his death, he continues to tower over the architectural landscape. In fact, his career was so long and his accomplishments so varied it can be difficult still to grasp the full range of Wright's achievement. In this refreshing new study, Wright scholar Kathryn Smith does just that, exploring the grace and beauty found in all facets of Wright's work: from office desks and chairs to his first residential commissions, from magazine cover designs to major public buildings. The concise text and brilliant color photographs chart Wright's entire career, beginning with his apprenticeship to Adler and Sullivan before the turn of the century. Readers witness the Prairie period, Wright's years in Japan and California, his major designs of the late 1920s and 1930s, his Usonian houses, and the monumental late works of his last decades. Smith shows examples of Wright's drawings, furniture, and decorative arts, too, supplementing our understanding of Wright's aesthetic. The book concludes with a glimpse at the architect's seldom-seen collection of Asian art, which once comprised tens of thousands of pieces - a source of much inspiration and edification for the architect and his students, and a key to understanding Wright's views on art and nature. Here is a broad portrait of the master builder who sought the title "greatest architect of all time." Although it may never be possible to fully assess Wright's legacy, Kathryn Smith's authoritative book is a fitting testament to his lasting genius.

Gov. Thomas Welles came to New England in 1635, settling in Hartford in 1636 and moving to Wethersfield in 1646. Volume 3, Part C, for the first time publishes the sixth-generation descendants of Gov. Welles through his daughter Sarah2 (Welles) Chester. Her descendants populated the towns of Northern Connecticut and Western Massachusetts and provided leadership during the Revolutionary War. The farmers, generals, judges, ministers, sheriff, Loyalists and Patriots, legislators and sea captains. This book is an index, combining the indexes in all other volumes to serve as a central research tool.

Gov. Thomas Welles came to New England in 1635, settling in Hartford in 1636 and moving to Wethersfield in 1646. An entailed property case involving the sale of land in Old England connects both Gov. Thomas Welles and his wife Alice (Tomes) Welles to their origins and families in England. Volume 3, Part A, covers the sixth generation of their descendants through their daughters Mary (Welles) Baldwin, and Anne (Welles) (Thompson) Hawley, showing the seventh generation as children.

From the Napoleonic Wars to family gatherings in 2008, "Forever Laced" tells the history of one extraordinary family through events large and small, of historic and personal significance. Franz Josef Rosch, after fighting in Napoleon's French Army in Russia in 1807, returns home, marries and has six children. Franz's experiences in the military affected how he raised his children. He taught them not to be fearful in defending justice in order to attain a better life. Franz's youngest child, Mathias, and future generations of the Roesch family-whose name was anglicized upon arrival in the U.S., like so many others-emphasized the importance of family and sacrifice. These younger generations journeyed to new places, such as New York, Wisconsin, Missouri, and the Florida community of Eau Gallie. The stories of their extraordinary lives chronicle and mirror the development of America. They are husbands and wives, farmers, politicians, teachers, and entrepreneurs who struggle to live the American Dream. Kathryn Smith Lockhard, a direct descendant of the Roesch and Houston families, conducted years of research and collected information from diaries, newspapers, books, memoirs, and other sources to compile this history. Join her as she uncovers the struggles of her forefathers and finds lessons of faith, patriotism and love. Examine the history of a great family and an entire nation in "Forever Laced."

From the Napoleonic Wars to family gatherings in 2008, "Forever Laced" tells the history of one extraordinary family through events large and small, of historic and personal significance. Franz Josef Rsch, after fighting in Napoleon's French Army in Russia in 1807, returns home, marries and has six children. Franz's experiences in the military affected how he raised his children. He taught them not to be fearful in defending justice in order to attain a better life. Franz's youngest child, Mathias, and future generations of the Roesch family-whose name was anglicized upon arrival in the U.S., like so many others-emphasized the importance of family and sacrifice. These younger generations journeyed to new places, such as New York, Wisconsin, Missouri, and the Florida community of Eau Gallie. The stories of their extraordinary lives chronicle and mirror the development of America. They are husbands and wives, farmers, politicians, teachers, and entrepreneurs who struggle to live the American Dream. Kathryn Smith Lockhard, a direct descendant of the Roesch and Houston families, conducted years of research and collected information from diaries, newspapers, books, memoirs, and other sources to compile this history. Join her as she uncovers the struggles of her forefathers and finds lessons of faith, patriotism and love. Examine the history of a great family and an entire nation in "Forever Laced."

The "fine biography" and "compelling personal story" (The Wall Street Journal) of arguably the most influential member of Franklin Delano Roosevelt's administration, Marguerite "Missy" LeHand, FDR's de facto chief of staff, who has been misrepresented, mischaracterized, and overlooked throughout history...until now.Widely considered the first--and only--female presidential chief of staff, Marguerite "Missy" LeHand was the right-hand woman to Franklin Delano Roosevelt--both personally and professionally--for more than twenty years. Although her official title as personal secretary was relatively humble, her power and influence were unparalleled. Everyone in the White House knew one truth: If you wanted access to Franklin, you had to get through Missy. She was one of his most trusted advisors, affording her a unique perspective on the president that no one else could claim, and she was deeply admired and respected by Eleanor Roosevelt. With unprecedented access to Missy's family and original source materials, journalist Kathryn Smith tells the "fascinating" (Publishers Weekly) and forgotten story of the intelligent, loyal, and clever woman who had a front-row seat to history in the making. The Gatekeeper is a thoughtful, revealing unsung-hero story about a woman ahead of her time, the true weight of her responsibility, and the tumultuous era in which she lived--and a long overdue tribute to one of the most important female figures in American history.